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Essay of dramatick poesie john dryden

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essays on social science Navigation menuEssay of Dramatic Poesie is a work by John Dryden, England's first Poet Laureate, in which Dryden attempts to justify drama as a legitimate form of "poetry" comparable to the epic, as well as defend English drama against that of the ancients and the French. The Essay was probably written during the plague year of , and first published in In presenting his argument, Dryden takes up the subject that Philip Sidney had set forth in his Defence of Poesie in Essay on Poetic Theory. An Essay of Dramatic Poesy. By John Dryden. Introduction. Though he died in , John Dryden is usually considered a writer of the 18th rather than the 17th century. Incredibly prolific, Dryden made innovative advances in translation and aesthetic philosophy, and was the first poet to employ the neo-classical heroic couplet and quatrain in his own work.  It can be read as a general defense of drama as a legitimate art form—taking up where Sir Philip Sidney’s “Defence of Poesie” left off—as well as Dryden’s own defense of his literary practices. The essay is structured as a dialogue among four friends on the river Thames. The group has taken refuge on a barge during a naval battle between the English and the Dutch fleets. John Dryden’s Of Dramatic Poesie (also known as An Essay of Dramatic Poesy) is an exposition of several of the major critical positions of the time, set out in a semidramatic form that gives life to the abstract theories. Of Dramatic Poesie not only offers a capsule summary of the status of literary criticism in the late seventeenth century; it also provides a succinct view of the tastes of cultured men and women of the period. Dryden synthesizes the best of both English and Continental (particularly French) criticism; hence, the essay is a single source for understanding neoclassical attitude.

Though he died inJohn Dryden is usually considered a writer of the 18th rather than the 17th century.

essay of dramatick poesie john dryden What can I do to prevent this in the future?The beginning of the narrative An Essay of Dramatic Poesy or Of Dramatic Poesie is as follows. A battle is going on between England and Netherlands. Four gentlemen namely Crites, Eugenius, Lisideius and Neander are travelling by boat to see the battle and start a discussion on modern literature.  All for Love by John Dryden Summary. Animal Farm Characters Analysis. Orlando by Virginia Woolf. Views of Lisideius. Lisideius favours French drama of earlier 17th century. French drama led by Pierre Corneille strictly followed unities of time, pace and action. The French dramatists never mix tragedy and comedy. They strictly adhere to the poetic justice i.e. reward the virtue and punishment the vice. John Dryden whom Walter Scott named "Glorious John" writes Essay of Dramatic Poesy or An Essay of Dramatick Poesie () which is, "the most elaborate and one of the most attractive and lively" of his works. As his combatants dispute the relative merits of Ancient and Modern drama, of English and French theatrical practice, Dryden conjures up echoes of the Platonic dialogue “A thing well said will be wit in all languages.” According to Crites, ‘Ben Jonson as the greatest English playwright followed the ancients’ heritage by referring to the unities. ‘‘ he loved their fash. or, The Silent Woman in Of Dramatic Poesie, an Essay () is remarkable as the first extended analysis of an English play, and his Discourse Concerning the Origin and Progress of Satire () and the preface to the Fables Ancient and Modern () both contain detailed commentary of the highest Read More. Neoclassical criticism. In dramatic literature: Western theory. in English is John Dryden’s Of Dramatick Poesie, an Essay ().  English poet, John Dryden, in Of Dramatick Poesie, an Essay (), makes the same point in describing the kind of laughter produced by the ancient Greek comedy The Clouds, by Aristophanes. In it the character of Socrates is made ridiculous by acting very unlike the true Socrates—that is, by appearing. John Dryden () Edited by Jack Lynch. [1] It was that memorable day, in the first Summer of the late War, when our Navy ingag'd the Dutch: a day wherein the two most mighty and best appointed Fleets which any age had ever seen, disputed the command of the greater half of the Globe, the commerce of Nations, and the riches of the Universe.  [6] But I see I am ingaging in a wide dispute, where the arguments are not like to reach close on either side; for Poesie is of so large extent, and so many both of. Source URL: rybnitsa-city.info~jlynch/Texts/rybnitsa-city.info Saylor URL: rybnitsa-city.info This work is in the public domain. Variety of Subjects. Registration is required.

Incredibly prolific, Dryden made innovative advances in translation and aesthetic philosophy, and was the first poet to employ the neo-classical heroic couplet and quatrain in his own work.

The essay is structured as a dialogue among four friends on the river Thames.

essay of dramatick poesie john dryden Cite this Page!They discuss the necessity of abiding by the 3 dramatic unities prescribed by Aristotle if necessary, but also trying new techniques. They also discuss traditions of classicism and the neo-classicism. Absorbing!  Essay of Dramatick Poesie. Автор. John Dryden. Издание: крупный шрифт. The Essay of Dramatic Poesy by John Dryden was published in It was probably written during the plague year of Dryden takes up the subject that Philip Sidney had set forth in his Defence of Poesie () and attempts to justify drama as a legitimate form of "poetry" comparable to the epic, as well as defend English drama against that of the ancients and the French. John Dryden was a neoclassic critic who’s criticisms deal with issues of form and morality in drama (Brysons). Discussing four critical positions in his essay “An Essay of Dramatic Poesy” Dryden uses four characters: Eugenius, Crites, Lisideius, and Neander. Neander is believed to portray the beliefs of Dryden while Lisideius and Crites are believed to have the reciprocal beliefs. Eugenius shares the view of favoring the moderns over the ancients, but the essay does not discuss whether Eugenius also shares Neander’s views on French and English drama (Brysons). In his essay, Dryden writes very. or, The Silent Woman in Of Dramatic Poesie, an Essay () is remarkable as the first extended analysis of an English play, and his Discourse Concerning the Origin and Progress of Satire () and the preface to the Fables Ancient and Modern () both contain detailed commentary of the highest Read More. Neoclassical criticism. In dramatic literature: Western theory. in English is John Dryden’s Of Dramatick Poesie, an Essay ().  English poet, John Dryden, in Of Dramatick Poesie, an Essay (), makes the same point in describing the kind of laughter produced by the ancient Greek comedy The Clouds, by Aristophanes. In it the character of Socrates is made ridiculous by acting very unlike the true Socrates—that is, by appearing. Variety of Subjects. Registration is required.

The group has taken refuge on a barge during a naval battle between the English and the Dutch fleets. The four gentlemen, Eugenius, Crites, Lisideius, and Neander all aliases for actual Restoration critics and visit web page last for Dryden himselfbegin an ironic and witty conversation on the subject of poetry, which soon turns into a debate on the virtues of modern and ancient writers.

The group arrives at a definition of drama: Drmaatick French essay of dramatick poesie john dryden hew closer to classical notions of drama adhering to the unities of time, place and actionNeander steps in to support English drama precisely because of its subplots, mixture of mirth and tragedy in tragicomedyand spirited, multiple characters.

Dramaticj this final speech, the barge docks at the Visit web page, and the four friends go their separate ways, content with their evening.

Text and notes, unless otherwise indicated, are adapted from Essays of John Drydened. It was that memorable day, in the first Summer of the late War, when our Navy engaged the Dutch: While these vast floating bodies, on either side, podsie essay of dramatick poesie john dryden each other in parallel lines, and our Country men, under the happy conduct of his Royal Highness, went breaking, by little and little, into the line of the Enemies; the noise of the Cannon from both Navies reached our ears about dryde City: Essay of dramatick poesie john dryden the essay of dramatick poesie john dryden, it was if fortune of Eugenius, Crites, Lisideius and Neander, to be in company together: Taking then a Barge which a servant of Lisideus had provided for them, they made haste to shoot the Bridge, and left behind them that great fall of waters which hindered them from hearing what they desired: Thunder, or of Swallows in a Chimney: When the rest had concurred in the same opinion, Crites, a person of a sharp judgment, and somewhat too delicate a taste sssay essay of dramatick poesie john dryden, which the world have mistaken in him for ill nature, said, smiling to us, that if the concernment of this battle had not been so exceeding great, he could scarce have wished the Victory at the price he knew must pay for it, in being subject to the reading and hearing of so many ill verses as he was sure would be made upon it; adding, that no Argument could scape some of those drydeen Rhymers, who watch a Battle with more diligence than the Ravens and birds of Prey; and the worst of them surest to be first in upon the quarry, while the better able, either out of modesty writ not at all, essay of dramatick poesie john dryden set that due value upon their Poems, as to let them be often called for and poese expected!

For amongst others, I essay of dramatick poesie john dryden a mortal apprehension of two Poets, whom this victory with the help of both drmaatick of dramatick poesie well. essays child development observation something dryden wings will never be able to escape. In fine, if he be not one of those whom the French would call un mauvais buffon ; one that is so much a well-willer to the Satire, essay of dramatick poesie john dryden he spares no man; and though he cannot strike a blow to hurt any, yet ought to be punished for the malice of the action, as our Witches are justly hanged because they think themselves so; and suffer deservedly for believing they did mischief, because they meant it.

He is one of those who having had some advantage of education and converse, knows better than the other what a Poet should be, but puts it into practice more unluckily than any man; his stile rramatick matter are every where alike; he is the most calm, poeise. Writer you ever read: Pauper videri Cinna vult, et est pauper [Cinna wants to seem to be a pauper; vramatick, sure enough, he is a pauper]: He affects plainness, to cover his want essay of dramatick poesie john dryden imagination: When his famous Poem first came out in the year, I have seen them reading easay in the midst of Change-time; many so vehement they were at it, that they lost their bargain by the Candles ends: I can assure you he is, link day, poeske envy of a great person, who is Lord in the Art of Quibbling; and who does not take it well, that any man should intrude so far into his Province.

Qui Bavium non odit, etc.

mla format essay in text citations Be a Member of this BLOGThe Essay of Dramatic Poesy by John Dryden was published in It was probably written during the plague year of Dryden takes up the subject that Philip Sidney had set forth in his Defence of Poesie () and attempts to justify drama as a legitimate form of "poetry" comparable to the epic, as well as defend English drama against that of the ancients and the French. Essay of Dramatic Poesie is a work by John Dryden, England's first Poet Laureate, in which Dryden attempts to justify drama as a legitimate form of "poetry" comparable to the epic, as well as defend English drama against that of the ancients and the French. The Essay was probably written during the plague year of , and first published in In presenting his argument, Dryden takes up the subject that Philip Sidney had set forth in his Defence of Poesie in They discuss the necessity of abiding by the 3 dramatic unities prescribed by Aristotle if necessary, but also trying new techniques. They also discuss traditions of classicism and the neo-classicism. Absorbing!  Essay of Dramatick Poesie. Автор. John Dryden. Издание: крупный шрифт. John DRYDEN () was short and plump, "of a fresh color, and a down look-and not very conversible," according to Alexander Pope. Like his spokesman Neander in An Essay of Dramatic Poesy, Dryden represented the new man from a new class for a new age: the professional writer who associ-ates primarily with other literary figures and is not regarded by polite society as "very genteel," although he aspires to that condition. Lacking a title or fortune, Dryden had to earn his living by his pen. By nature a supporter of de facto authority, he readily adapted to the shifting. or, The Silent Woman in Of Dramatic Poesie, an Essay () is remarkable as the first extended analysis of an English play, and his Discourse Concerning the Origin and Progress of Satire () and the preface to the Fables Ancient and Modern () both contain detailed commentary of the highest Read More. Neoclassical criticism. In dramatic literature: Western theory. in English is John Dryden’s Of Dramatick Poesie, an Essay ().  English poet, John Dryden, in Of Dramatick Poesie, an Essay (), makes the same point in describing the kind of laughter produced by the ancient Greek comedy The Clouds, by Aristophanes. In it the character of Socrates is made ridiculous by acting very unlike the true Socrates—that is, by appearing.

Nam quos contemnimus eorum quoque laudes contemnimus [For we detest praise that comes from those we detest—ed. For you hear your Horace saying. Crites a little while considering upon this Demand, told Eugenius he approved his Propositions, and, if he pleased, he would limit their Dispute to Drydeh Jhn or which he thought it not difficult to prove, either that the Ancients were superior to the Moderns, or the last Age to this of ours.

They can produce nothing so courtly writ, or jkhn expresses so much the Conversation of a Gentleman, as Sir John Suckling; nothing so even, sweet, and flowing as Mr. Waller; nothing so Majestic, so correct about hero my mother essay Sir John Esday nothing so elevated, so copious, and full of spirit, as Mr.

Cowley; as for the Italian, French, and Spanish Plays, I can make it evident that those who now write, surpass them; and that the Drama is wholly ours. Eugenius was going to continue this Discourse, when Lisideius told him it was necessary, before they proceeded further, to take a essay of dramatick poesie john dryden measure of their Controversy; for how ewsay it possible to be decided who writ the best Dramatik, before we know what essay of dramatick poesie john dryden Play should be?

He had no sooner said this, but all desired the favor of him poesei give the definition of essayy Play; and dramattick were the more dramativk, because neither Aristotle, nor Horace, nor any other, who writ of that Subject, had ever done it. Dramatock, after some modest denials, at last confessed he had a rude Notion of it; indeed rather a Description than a Definition: Dramatic Poesy had time enough, reckoning from Drhden who first invented ezsay to Aristophanes, to be poeesie, to grow up, and to flourish in Maturity.

It has been observed of Arts and Sciences, that in one and the same Century they have arrived to a great perfection; and no wonder, since every Age has a kind of Universal Genius, which inclines those that live in it to pf particular Studies: And this, in short, Eugenius, is the reason, why you have now so few good Poets; and so xramatick severe Judges: Certainly, to imitate the Ancients joohn, much labor and long study is required: Those Ancients have been faithful Imitators and wise Observers of that Nature, which is so torn and ill represented in our Plays, essaay have handed johh to us a perfect resemblance of her; which we, like ill Copiers, neglecting to look on, have rendered sesay and disfigured.

But, that you may know how much you sssay posie to those your Masters, and be ashamed to have so ill requited them: I must remember you that all the Rules by which we practice the Drama at this essa either such as relate to the justness and symmetry of the Plot; or the Episodical Ornaments, eszay as Descriptions, Narrations, and other Beauties, which are not essential to the Play; were delivered to us from the Observations that Aristotle made, of those Poets, which either lived before him, or were his Contemporaries: I will not deny but essay the variation of painted Scenes, the Fancy which in these cases will contribute to its own deceit may sometimes imagine it several places, with some appearance of probability; yet it still carries the greater likelihood of jjohn, if those places be supposed so near each other, as in the same Town or City; which may all be comprehended under the larger Denomination of one place: They tie themselves so strictly to the unity of place, that you never see in any of their Plays a Scene changed in essay of dramatick poesie john posie middle of the Poessie There ought to be one action, says Corneille, that is one complete action which leaves the mind of the Audience in a full repose: But this cannot be brought to pas but by many other imperfect ones which conduce to it, and hold the Audience in a delightful suspense of what will be.

To read Macrobius, explaining the propriety and elegancy of many words in Virgil, which I had before passed over without consideration, as common things, is enough to assure me that I ought to think the same of Terence; and that in the purity of his style which Tully so much poseie that he ever carried his works about him there is yet left in him great room for admiration, poesei I knew but where to place it.

In the mean time I must desire you to take notice, that the greatest man of the last age Ben Jonson was willing to give place ddamatick them in all things: He was not only a professed Imitator of Horace, but a learned Plagiary of all the others; you track him every where in their Snow: If Horace, Lucan, Petronius Arbiter, Seneca, and Juvenal, had their own from him, there are few serious thoughts which are new in him; you will pardon me therefore if I presume essay of dramatick poesie john dryden loved their fashion when he wore their clothes.

But dyden I have otherwise a great veneration for him, and you Eugenius, prefer him above all other Poets, I will use no farther argument to you than essay of dramatick poesie john dryden example: I will drxmatick Father Ben to you, dressed in all the ornaments and colors of the Ancients, you will need no other guide to jonh Party if you follow him; and whether you consider the bad Plays of our Age, or regard the good dramayick of the last, both the best and oc of the Modern Poets will equally instruct you to esteem the Ancients.

Crites had no sooner left speaking, but Eugenius who waited with some impatience for it, thus began: We draw not therefore after their o, but those of Nature; and having the life before us, besides the experience of opesie they knew, it is no wonder if we hit some go here and features which they have missed: I deny not off you urge my best christmas essay Arts and Sciences, that they have flourished in some ages more than others; but your instance in Philosophy makes for me: That praise oc censure is certainly the most sincere which unbribed posterity shall wssay essay of dramatick poesie john dryden. Aristotle indeed divides the integral parts of a Play into four: First, The Protasis or entrance, which gives light only to the Characters essay of dramatick poesie john dryden the drydfn, and proceeds very little into any part of the action: Secondly, The Epitasis, or working up of the Plot where the Play grows warmer: Thirdly, the Catastasis, or Counterturn, which destroys that expectation, embroils the action in new difficulties, and leaves you far distant from dfamatick hope in which it found you, as you may have observed in essay of dramatick poesie john dryden violent stream resisted by a narrow passage; it runs round to an eddy, and carries back the waters with more swiftness than it brought them on: Lastly, the Catastrophe, which the Grecians called lysisthe French le denouementand we the discovery or unraveling of the Plot: Thus this great man delivered to us the image of a Play, and I must confess it is so lively that from thence source light has been derived to the forming it more poese into Acts and Scenes; but what Poet first limited to five the number of the Dramahick I know not; only we see it so firmly established in the time of Horace, that he gives it for a rule in Comedy; Neu brevior quinto, neu sit productior actu [let it be neither shorter nor longer than five acts—ed.

So that you see the Grecians cannot be said to have consummated this Art; writing rather by Entrances than by Acts, and having rather a general indigested notion of a Play, than knowing how and where to bestow the particular graces of it.

But one Oedipus, Hercules, or Medea, had been tolerable; poor people they scaped not so good cheap: An Old Father that would willingly before he dies see his Son well married; his Debauched Son, kind poesle his Nature to essay of dramatick poesie john dryden Wench, but miserably in want of Money, a Servant or Slave, who has so much wit to strike ;oesie with him, and help to dupe his Father, rssay Braggadochio, Captain, a Parasite, and a Lady essay of dramatick poesie john dryden Pleasure.

She has the breeding of the Old Elizabeth way, for Maids to be seen and not dfamatick be heard; and essay of dramatick poesie john dryden essayy enough you know she is willing to be married, when the Fifth Act requires druden.

But in the first place give me leave to tell you, that the Unity of Place, how ever it might be practiced by them, was never any of their Rules: We neither find it in Aristotle, Horace, of any who have written of it, till in our age the French Dramaticl first made it a Precept of the Stage. The unity of drydenn, even Terence himself who was the best and the most regular of them has neglected: His Heautontimoroumenos or Self-Punisher takes up visibly dssay esay therefore says Scaliger, the two first Acts essay of dramatick poesie john dryden the first day, were acted over-night; the three last on the ensuing day: Now the Plots of their Plays being narrow, and the persons few, one of their Acts essay of dramatick poesie john dryden written in a less compass than one of our see more wrought Scenes, and yet they essay of dramatick poesie john dryden often deficient even in this: To go no further than Terence, you find in the EunuchAntipho entering single in the midst of the third Essy, after Chremes and Pythias were gone off: He also gives you an account drmaatick himself, and of his returning from the Country in Monologue, his Adelphi or BrothersSyrus and Demea enter; edsay the Scene was broken by the departure of Sostrata, Geta and Cathara; cryden indeed you can scarce look into any of his Comedies, where you will not presently discover the same interruption.

They have set before us a bloody image of revenge in Medea, and given her Dragons to convey her safe jonh punishment. A Priam and Astyanax murdered, and Cassandra ravished, and the lust and murder ending in the victory of him that acted them: In short, there is no esssay in any of our modern Plays, which if I would excuse, I could not shadow with some Dramtaick from the Ancients. Tragedies and Comedies were not writ then as they are now, promiscuously, by the same person; fssay he who found his genius bending to the one, never attempted the other way.

For Horace himself was cautious to obtrude a oof word upon his Readers, and makes custom and common dryen the best measure of receiving it into our writings. But to do this always, and never be able to write a line without it, though it may be essay of dramatick poesie john dryden by some few Pedants, will not essay of dramatick poesie john dryden upon those who know that wit is best conveyed to us in the most easy language; and is most to be admired when a great thought comes dressed in words so commonly received that it is understood by the meanest apprehensions, as the best meat is the most easily essaay That the one gives us essay of dramatick poesie john dryden essay of dramatick poesie john dryden in common language, though rough cadence; the other gives us common thoughts in abstruse words: Had Cain been Scot God would have ewsay his doom; Not forced him wander, but confined him home.

You see the last line is highly Metaphorical, but it is so soft essay of dramatick poesie john dryden gentle, that it does kf shock us as we jihn it. Though I see many excellent thoughts in Seneca, yet he, of them who had a Genius most proper for the Stage, was Ovid, he had a way of writing so fit to stir up a pleasing admiration essay of dramatick poesie john dryden concernment which are the objects essay of dramatick poesie john dryden a Tragedy, and to show the various movements of a Soul combating betwixt two different Essay of dramatick poesie john dryden, that, dramaticm he lived in our age, or, in his own could have writ with our advantages, no man but must have yielded to him; and therefore I am confident the Medea is none of his: The Master piece of Seneca I hold to be that Scene jhn the Troadeswhere Ulysses is seeking for Astyanax to kill him; There you see the tenderness of a Mother, so represented in Andromache, that it raises compassion to a high degree in the Essay of dramatick poesie johm dryden, and bears the nearest resemblance of any thing in their Tragedies to the deamatick Scenes of Passion in Shakespeare, or in Fletcher: Any sudden gust of passion as an essay of dramatick poesie john dryden of love in an unexpected meeting cannot better be expressed than in a word and a sigh, breaking one another.

Nature is dumb on such drtden, and to make her speak, would be to represent her unlike her self. But poesei are a thousand other concernments of Lovers, as jealousies, complaints, essay of dramatick poesie john dryden and the like, where not to open their minds at large to each other, were to be wanting essay questions about oedipus their own love, and to the expectation of the Audience, who watch the movements of their minds, as much as the changes of their jonn.

For jhn imaging of the first is properly the work of a Poet, the essqy he borrows of the Historian.

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Eugenius was proceeding in that part of his Discourse, when Crites interrupted him. Homer described his Heroes men of great appetites, lovers of beef broiled upon the coals, and dramtaick fellows; contrary to the practice of the Poesiw Romances, whose Heroes neither eat, nor drink, nor sleep, for love.

So in their Love Joohn, of which Eugenius spoke last, the Ancients were more hearty; we more talkative: This moderation of Crites, as it was essay of dramatick poesie john dryden to all fryden company, so it put an end to that dispute; which, Eugenius, who seemed to have the better of the Argument, would urge no farther: But esway Muses, who ever follow Peace, went to plant in another Country; it was then that the great Cardinal dramztick Richelieu began to esszy them into his protection; and that, by his encouragement, Corneille and drydeb other Frenchmen reformed their Theatre, which before was as much below essay of dramatick poesie john dryden as it now surpasses it and the rest of Europe.

Essay of dramatick poesie john dryden dryven Crites, in dgamatick Discourse for the Ancients, has prevented me, by touching upon many Rules of the Stage, which the Moderns have borrowed from them; I shall only, in short, demand of you, rryden you are not convinced that just click for source all Nations the French have best observed them? In the unity draatick time you find them so scrupulous, that it yet remains a dispute among their Poets, whether the artificial day of twelve hours more or less, be not meant by Aristotle, rather than the natural jhon of twenty four; and consequently whether all Plays ought not to be reduced into that compass?

The unity of Action in all their Plays is yet more conspicuous, for they do not burden them with under-plots, as the English do; which is the reason why many Scenes of our Tragi-comedies carry on a design that is no thing of kin to the main Plot; and that we see two distinct webs in a Play; like those in ill wrought stuffs; and esszy actions, that is, two Plays carried on together, to the confounding of the Audience; who, before they are warm in dramtick concernments for one part, are diverted to another; and by that means espouse the interest of neither.

From hence likewise it arises that essay of dramatick poesie john dryden one half of our Actors are not known to the other. They keep their distances as if they were Montagues and Capulets, and seldom begin an acquaintance till the last Scene of the Fifth Act, when they are all to meet upon the Stage. Thus in two hours and a half we run through all the fits of Bedlam.

Our Poets present you the Play and the farce wssay and our Stages still retain somewhat of the Original civility of the Red-Bull; Atque ursum et pugiles media inter carmina poscunt [they ask for a bear or boxers in the middle of plays.

The end of Tragedies or poesue Plays, says Aristotle, is to beget essay of dramatick poesie john dryden, compassion, or concernment; but are not mirth and compassion things incompatible?

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